Black Opium - I like this one because it uses the title in a more free, loose way than I normally do, and I think it fits well with the image and the story's subject matter. It annoys me that it and Shot in the Dark (see below) use almost exactly the same color scheme, but what are you gonna do? That thought only occurred to me when I put them next to each other on this page.

Confessions of a Park Avenue Playgirl - Probably my favorite design, this has a real happy, sexy feel. This is the kind of book that wouldn't shy away from it's sexual content, but winks at you the whole time, taking none of it too seriously.

The Dragon Murder Case - I haven't done a new faux-vintage paperback book cover in a while, and I had been itching to get to one before it came time to update the site again.

Since last time, I'd discovered my paperback covers have their own little fan base, which is flattering as all get out and a little bewildering. Knowing these are appreciated by the audience I meant them makes me want to work on new ones all the more.

This one started as nothing more than the woman, and I messed around with the colors until I found a mood I could do something with. After a while, I liked the kind of "dragon lady" vibe, and then I dipped into my The Great American Paperback hardcover book to look for an actual vintage paperback whose title might match what I had.

One page in after opening to a random page, I found The Dragon Murder Case by S.S. Van Dyne--I really didn't need to go any further! That was exactly the title I was looking for.

It took me a while to balance all the right elements, and I must have tried a thousand different colors on the bottom, until finally realizing a nice big open white space balanced the busy top-half perfectly.

The Girl From Midnight - Chronologically, this was my first of the smutty paperback book covers, where I took an established title, author, and tagline, but composed my own illustration and design to match.

It got started when my friend Sean Tiffany told me that the most popular pieces on his ispot page were of sexy girls. I wanted to test this on my own ispot page, so I decided to purposely illustrate a very alluring woman, but incorporate some sort of design. I don't remember how I got the idea to do a paperback cover, other than I've always been a fan of them, and have lots of books on paperback art, so the whole thing was in my blood, I guess.

I worked on it late at night and really enjoyed the process--one I had the illustration part down, messing around the with design was pure bliss. While all the subsequent paperback designs I've done I think are better and more complex, this does have a basic cleanness that I still think holds up.

H Is For Harlot - I recently picked up a book called Dope Menace, featuring nothing but "drug" paperback book covers over the 20th century. Not only were the covers beautiful to look at, but now I have hundreds of more genre paperback book titles that can inspire me to make my own faux-paperback covers!

This is one of those, and I had different ideas how I wanted this to look when I started it, but eventually the thing kind of took on a life of its own, and it ended up much more of a constructivist-type of thing, all tilted angles and abstract shapes.

A Hell of a Woman - This is so different than the way I would normally think to design a cover that I'm a little amazed I didn't rework it to death. The title felt to me like it was about a very confident, assured woman--a hell of a woman.

So I liked putting the title on big, bigger than I normally would think to, and in a strong, assured font. The woman in question is staring right at you, in a very relaxed, confident position. Using the hell-ish colors was a no-brainer, and once I had those in place I got the idea to wipe away some of the lettering as if the heat was burning its way through the title.

Hot Rod - I hadn't done a paperback book cover in a while, so when I had a hole in my schedule I worked this up, and I think its one of my best designs. It's a little busier and kitchy-ier than I normally do, but I dig it and it was a real joy to work on.

And no, I have no idea what those numbers mean; I just thought they looked cool and fit the whole hot rod/dragstrip feel of the cover.

Vroom! Vroom!

I wanted more of a mystery thriller cover instead of the lurid nudie look, so no sex here at all--you've got a tough-looking dame holding a gat, looking over her shoulder, either ready to kill or be killed.

I think my favorite part is the blood spatter on the "goodbye." I thought the cover needed one extra little something, and then I remembered I had this graphic in my files from when I used it on a poster. I dropped it in, and it was exactly what I wanted. I never throw anything away.

The Man With The Golden Arm - Another faux-paperback cover, but with some slight variations in the format.

First off, this one, for once, doesn't feature some gorgeous-but-dangerous dame, but a scungy-looking guy. I had this photo in an old folder of such items, clipped from magazines over the years, and I realized that I could mess with it a bit (ok, a lot) and it would work really well as the art for another "drug" paperback book, the kind I've been messing around with since I bought a book all about them, called Dope Menace.

As I went through the various titles, I realized the best one to pair up with this image was one of the most famous titles of the "drug book" genre--Nelson Algren's The Man With The Golden Arm (which is probably even more famous from the movie starring Frank Sinatra).

Once I started laying type in, I saw that the best use was not to over-design it and dress it up too much--just having it there, as stark as possible, looked the best to me.

Also, I realized the book's hyperbolic tag ("More powerful than a woman's love...more binding than a man's word...it was dope!") line didn't really have a place on here, so I left it off. I think it looked really perfect just like this--the title, that face, surrounded by darkness.

No Time For Sleep - Probably my all-time favorite paperback cover, I think this is the perfect synthesis of illustration and design, if I do say so myself. You can pretty much figure out what "no time for sleep" means, and if you don't, the scantily-clad woman looking right at you oughta close the deal.

The all-hearts background works to me as both a sort of realistic wallpaper look (like something you might see in an old-time bordello), or just a pure design element. The title combined with the tagline looks like a smiling face to me, which is a nice bonus. I also like the semi-bifarcated look, with all the color at the top and just black at the bottom.

Shot in the Dark - Shot in the Dark has quickly become one of my favorites--I like the multi-tiered images, and it has a playfulness that I think is sometimes missing in my work. I dunno, I'd buy a book with this cover.

Too Hot For Hell- I knew I wanted the fiery background to go behind the portrait, and I knew I wanted the portrait to be without anything but the darkest shadows. I felt like that was a compelling image, and all I needed was a suitable title.

When I saw the title Too Hot For Hell (again, from the Great American Paperback hardcover book), the fact that they were talking about a man didn't bother me, since it would work just as well for a woman, if not better.

After messing with it for a while, I settled on having it in a box, on a slight angle, to give it a sort of "branded" feel, which felt very hot and painful and wrong, therefore totally right.